2024-03-29T15:50:10Zhttp://tesionline.unicatt.it/dspace-oai/request
oai:tesionline.unicatt.it:10280/6732013-06-04T09:57:59Zhdl_10280_47
DocTA - Doctoral Theses Archive
advisorZARDIN, DANILO
ITA
2010-01-08
2010-01-14T01:00:15Z
Studying Giovanni Pietro Puricelli's manuscripts, at the Ambrosiana Library, he is shown a significant image of the ecclesiastical erudition of the XVIIth Century in Milan, by the analysis of their works about local religious history (especially about the Humiliates), but also through the letters, that help to show the connections between Puricelli and others scholars.
authorGAGLIARDI, ELENA MARIA
editorZARDIN, DANILO
Giovanni Pietro Puricelli e l'erudizione ecclesiastica nella Milano del Seicento
2010-01-14T01:00:15Z
Giovanni Pietro Puricelli viene presentato, attraverso lo studio dei suoi manoscritti conservati presso la Biblioteca Ambrosiana di Milano, come caso significativo dell'erudizione ecclesiastica milanese del XVII secolo, attraverso le sue opere a carattere storico (fra cui quella dedicata agli Umiliati), la produzione omiletica e l'epistolario, che consente di ricostruire le relazioni intercorse con altri studiosi coevi.
Gagliardi, Elena Maria. "Giovanni Pietro Puricelli e l'erudizione ecclesiastica nella Milano del Seicento", Università Cattolica del Sacro Cuore, XXII ciclo, a.a. 2008/09, Milano, [http://hdl.handle.net/10280/673].
Adobe PDF
http://hdl.handle.net/10280/673
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oai:tesionline.unicatt.it:10280/10342011-04-05T01:00:32Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorBOCCI, MARIA
ITA
2011-04-04
2011-04-05T00:00:07Z
The research begins from the years of one’s youth, lived by Giancarlo Brasca in the contest of Azione Cattolica’s young lines in Milan. First chapter proposes to reconstruct which atmosphere and which personalities influenced young Brasca’s choices. On this point of view particular attenction was dedicated to relation with Father Agostino Gemelli and Monsignor Francesco Olgiati. The intensity of relationship with two protagonists of catholic world in Milan represents a significant fact also in vocational choice that binded Giancarlo Brasca with Missionari della regalità di Nostro Signore Gesù Cristo, secular institution founded by Gemelli. So second chapter of dissertation proposes to reconstruct the meaning of Brasca’s adhesion to Missionari’s life proposal, his contribution to story of institution and to development of relation between this and Catholic University. Brasca’s vocational choice represents indeed a necessary keynote to understand and reconstruct Brasca’s story in Catholic University from ’40 to his death in 1979. So third and fourth chapters reconstruct Brasca’s events on the contest of Catholic University: from Philosophy degree moving to experience which director of Library, to arrive to very important administrative assignments like secretary of administration and, from 1971, administrative director.
authorDELORENZI, CHIARA
editorZARDIN, DANILO
Giancarlo Brasca e l'Università Cattolica: la biografia del primo direttore amministrativo nelle carte conservate dall'Ateneo
2011-04-05T00:00:07Z
La ricerca prende avvio dagli anni giovanili, vissuti da Giancarlo Brasca nel contesto dei rami giovanili dell’Azione Cattolica ambrosiana. Il primo capitolo si propone di ricostruire quale clima e quali personalità abbiano influito sulle scelte effettuate dal giovane Brasca. Da questo punto di vista particolare attenzione è stata dedicata al rapporto con padre Agostino Gemelli e con monsignor Francesco Olgiati. L’intensità del legame con i due protagonisti del mondo cattolico milanese del Novecento costituisce un elemento significativo anche nella scelta vocazionale che legò Brasca ai Missionari della regalità di Nostro Signore Gesù Cristo, Istituto secolare fondato da Gemelli. Il secondo capitolo della tesi si prefigge dunque di ricostruire il significato dell’adesione di Brasca alla proposta di vita dei Missionari e l’apporto da lui fornito alle vicende dell’Istituto e all’evoluzione dei rapporti di quest’ultimo con l’Università Cattolica.
La scelta vocazionale di Brasca rappresenta infatti la chiave di lettura imprescindibile per comprendere e ricostruire le vicende di Brasca all’interno dell’Università Cattolica dai primi anni Quaranta fino alla sua scomparsa nel 1979. Il terzo e il quarto capitolo ricostruiscono dunque le vicende di Brasca sullo sfondo degli snodi fondamentali che segnarono lo sviluppo dell’ateneo: dalla laurea in Filosofia, passando per l’esperienza di direttore della Biblioteca, per giungere agli incarichi amministrativi di primissimo piano come segretario di amministrazione e, dal 1971, direttore amministrativo.
Delorenzi, Chiara. "Giancarlo Brasca e l'Università Cattolica: la biografia del primo direttore amministrativo nelle carte conservate dall'Ateneo", Università Cattolica del Sacro Cuore, XXII ciclo, a.a. 2009/10, Milano, [http://hdl.handle.net/10280/1034].
Adobe PDF
http://hdl.handle.net/10280/1034
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Previous issue date: 2011-04-04
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oai:tesionline.unicatt.it:10280/10322011-04-05T01:00:37Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorFRARE, PIERANTONIO
ITA
2011-04-04
2011-04-05T00:00:04Z
The aim of this essay is investigate the evolution of ideas like memory and innocence in Ungaretti's critical writings. These ideas were influenced from studies on Bergson, Agostino e Vico' philosophical teories during the Thirties in Brazil. Thanks to these investigations Ungaretti can wide the bounds of those concepts. Particularly important was Vico's influence and the association introduced between memory and imagination by the neapolitan philosopher in his most important work, the Scienza Nuova. Furthermore, Ungaretti is interested in Vico's humankind origins theory, a fundamental topic for who, like the italian poet, set the idea of archetypical innocence as a human and artistic target attainable by memory.
authorMIGLIORATI, MASSIMO
editorZARDIN, DANILO
MEMORIA E INNOCENZA DELLA POETICA CRITICA DI GIUSEPPE UNGARETTI
2011-04-05T00:00:04Z
Lo studio effettuato sulle carte di Ungaretti critico e docente universitario ha permesso di evidenziare l'evoluzione dei concetti di memoria e di innocenza e di far emergere alcune basi teoriche della nozione di memoria, elaborate nel corso degli anni Trenta. L’approfondimento della conoscenza di Bergson, Agostino e Vico, infatti, rendono il concetto di memoria sempre più articolato, ampliandone i confini. L’indagine ha inoltre portato alla luce il debito che l’attività critica di Ungaretti ha con le teorie di Giambattista Vico, conosciuto quasi certamente tramite gli animatori de «La Voce», ma poi studiato quale fonte, indiretta, della poetica leopardiana. Sono le teorie vichiane ha suggerire a Ungaretti il ruolo fondamentale della fantasia nella creazione artistica, ruolo che svolge coadiuvando la memoria. Nella Scienza Nuova infatti fantasia e memoria sono sempre associate. Anche in Ungaretti questa associazione, una volta istituita, resiste nel tempo e, nel periodo in cui la suggestione vichiana è più intensa, la fantasia sembra sostituire l’innocenza. Ungaretti si interessa di Vico anche perché il filosofo che pone grande attenzione alla questione delle origini dell’umanità. Un tema imprescindibile per chi, come Ungaretti, fa dell’innocenza primigenia un obiettivo artistico ed umano da raggiungere, tramite la memoria.
Migliorati, Massimo. "MEMORIA E INNOCENZA DELLA POETICA CRITICA DI GIUSEPPE UNGARETTI", Università Cattolica del Sacro Cuore, XXII ciclo, a.a. 2009/10, Milano, [http://hdl.handle.net/10280/1032].
Adobe PDF
http://hdl.handle.net/10280/1032
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oai:tesionline.unicatt.it:10280/10372014-05-23T09:45:42Zhdl_10280_65hdl_10280_47
DocTA - Doctoral Theses Archive
advisorFRARE, PIERANTONIO
ITA
2011-04-04
2011-04-05T00:00:09Z
Eugenio Montale (1896-1981) has been a literary critic as long as he lived. Since 1920 till death, Montale worked together with many newspapers and with the most important literary reviews of his period. In 1948 was assumed at «Corriere della sera», in Milan: here he became a journalist as a job and dedicated himself to disclosure Italian and European literature, with a particular attention for English and French ones. This essay analyzes his critical proses, identifying their main themes: authors and books reviewed, themes and cultural issues which Montale wrote about as long as he wrote. Some figures of writers, critics and philosophers (Sergio Solmi, Emilio Cecchi, Benedetto Croce, Roberto Bazlen) represent the ideal boundaries for an idea of poetry, which Montale points in his proses: communicating with these figures, he reflects upon the main issues of contemporary culture and literature. Montale’s critical style can infact be placed between journalism and literary criticism. In the last part of this essays it has been tried to find out some important junctions between literary essays, narrative proses and poetry, living all together in Montale’s activity.
authorMARCHESI, VALENTINA BARBARA
editorZARDIN, DANILO
LE PROSE CRITICHE DI EUGENIO MONTALE
2011-04-05T00:00:09Z
Eugenio Montale (1896-1981) ha esercitato la professione di critico letterario per tutta la vita. A partire dal 1920 e poi sino alla morte, Montale ha collaborato con numerosi periodici e con le più importanti riviste letterarie del suo tempo. Nel 1948 viene poi assunto al "Corriere della sera", a Milano: qui diventa giornalista per mestiere e si dedica alla divulgazione della letteratura italiana ed europea, con una particolare attenzione a quelle inglese e francese. La presente ricerca analizza le sue prose critiche, individuandone le linee principali: autori e libri recensiti, temi e questioni culturali che Montale analizza nel corso della sua attività. Alcune figure di scrittori, critici e filosofi (Sergio Solmi, Emilio Cecchi, Benedetto Croce, Roberto Bazlen) rappresentano i confini ideali di un'idea di poesia, che Montale mostra nelle sue prose: dialogando con questi personaggi, egli riflette infatti sui principali problemi della cultura e della letteratura contemporanee. Lo stile critico di Montale si colloca perciò tra il giornalismo e la saggistica. Nell'ultima parte della ricerca si è cercato di individuare alcune importanti intersezioni tra prosa critica, prosa narrativa e poesia, che convivono nell'attività montaliana.
Marchesi, Valentina Barbara. "LE PROSE CRITICHE DI EUGENIO MONTALE", Università Cattolica del Sacro Cuore, XXIII ciclo, a.a. 2009/10, Milano, [http://hdl.handle.net/10280/1037].
Adobe PDF
http://hdl.handle.net/10280/1037
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Previous issue date: 2011-04-04
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oai:tesionline.unicatt.it:10280/10382013-06-04T09:58:16Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorZARDIN, DANILO
advisorROVETTA, ALESSANDRO
ITA
2011-04-04
2011-04-05T00:00:10Z
Thesis deals with the literary production made by Leonardo da Vinci's scholars in Milan area between the late eighteenth century and the first two decades of the nineteenth century. The critical discussion of these contributions (sometimes unpublished) placed in chronological sequence has enabled us to identify the major historiographical acquisitions on Leonardo da Vinci and his art.
authorMARA, SILVIO
editorZARDIN, DANILO
STUDIOSI DI LEONARDO DA VINCI IN AMBITO MILANESE TRA SETTE E OTTOCENTO
2011-04-05T00:00:10Z
La tesi tratta il profilo umano e la produzione letteraria degli studiosi di Leonardo da Vinci in ambito milanese tra il tardo Settecento e i primi due decenni dell'Ottocento. La discussione critica di tali contributi (talvolta inediti) posti in successione cronologica ha permesso di delineare le principali acquisizioni storiografiche su Leonardo da Vinci e la sua produzione artistica.
Mara, Silvio. "STUDIOSI DI LEONARDO DA VINCI IN AMBITO MILANESE TRA SETTE E OTTOCENTO", Università Cattolica del Sacro Cuore, XXIII ciclo, a.a. 2009/10, Milano, [http://hdl.handle.net/10280/1038].
Adobe PDF
http://hdl.handle.net/10280/1038
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Previous issue date: 2011-04-04
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oai:tesionline.unicatt.it:10280/10352013-06-04T09:58:12Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorFRARE, PIERANTONIO
ITA
2011-04-04
2011-04-05T00:00:08Z
The research is an in-depth study about the relationship between word and thought in Alessandro Manzoni.
It has been structured in two different parts: the first part, mainly theoretic, called la parola nel pensiero, where is clearly defined Manzoni’s Weltanschauung about this theme, the second part, basically practical, called il pensiero nella parola, concerning the textual analysis of the literary and the philosophical works by Manzoni.
On the one side, after clarifying the foundation of the philosophical reflections by Manzoni, the essential contents of his thought and the important role of the linguistic thinking inside them, the last deep speculative aspects related to the language and the word have been investigated.
On the other side, Manzoni’s reflection “la parola offre intuiti al pensiero” and “estende la cognizione” has been the starting point to review the literary works not only like simple forms of previous ideas but also like a breeding ground for thought.
It’s interesting to notice that the literary pages offering “intuiti al pensiero”, come before and exemplify the philosophical ones and at the same time, thanks to the philosophical speculations, they gain depth inside an innovative hermeneutic circle which considers the literary word “rivelativa” a fundamental moment of the creative and cognitive process by Manzoni, opening the way for further studies.
authorZAMA, RITA
editorZARDIN, DANILO
IL RAPPORTO TRA LA PAROLA E IL PENSIERO IN ALESSANDRO MANZONI
2011-04-05T00:00:08Z
La ricerca ha approfondito il rapporto esistente tra l’ambito della parola e quello del pensiero in Alessandro Manzoni. Essa è stata articolata in due versanti: uno prevalentemente teorico denominato la parola nel pensiero dove è chiarita la Weltanschauung manzoniana sul tema in questione, l’altro sostanzialmente pratico, il pensiero nella parola, concernente l’analisi testuale delle opere letterarie e filosofiche di Manzoni.
Per il primo versante, fatta luce sulla consistenza delle riflessioni filosofiche manzoniane, sui contenuti essenziali del suo pensiero e, in essi, sull’importante ruolo assunto dalla riflessione linguistica, si sono indagati gli intimi meandri speculativi inerenti il linguaggio e la parola.
Per il secondo versante ci si è fatti guidare dalla riflessione manzoniana che «la parola offre intuiti al pensiero» ed «estende la cognizione» per analizzare i testi letterari non come semplici ‘concretizzazioni’ di idee precedenti, ma come ‘fucine di pensiero’.
È interessante notare come le pagine letterarie, offrendo «intuiti al pensiero», precedano e incarnino quelle filosofiche e come al contempo, alla luce delle speculazioni filosofiche, le pagine letterarie acquistino maggiore profondità, in un innovativo rapporto di circolo ermeneutico, che vede nella parola letteraria ‘rivelativa’ un momento fondamentale del processo creativo e conoscitivo del Manzoni, aprendo così la strada ad ulteriori studi.
Zama, Rita. "IL RAPPORTO TRA LA PAROLA E IL PENSIERO IN ALESSANDRO MANZONI", Università Cattolica del Sacro Cuore, XXII ciclo, a.a. 2009/10, Milano, [http://hdl.handle.net/10280/1035].
Adobe PDF
http://hdl.handle.net/10280/1035
Submitted by RITA ZAMA (3580188) on 2011-01-26T09:02:19Z
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Previous issue date: 2011-04-04
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oai:tesionline.unicatt.it:10280/10362013-06-04T09:58:18Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorPACCAGNINI, ERMANNO
advisorBARONI, GIORGIO
ITA
2011-04-04
2011-04-05T00:00:09Z
The dissertation analyzes the Poetry of Paolo Buzzi from "Rapsodie leopardiane" until "Poema dei Quarantanni" (1898-1922), identifying lyrical themes and tensions present throughout the time period examined. Since Buzzi is known as a futurist poet, the dissertation analyzes in particular its production attributable to the forefront, to understand how he, considered instances of the first collection, was the intention of futurism.
authorRAMPAZZO, ELENA
editorZARDIN, DANILO
La poesia di Paolo Buzzi dagli esordi al Poema dei Quarantanni: temi e tensioni liriche fra tradizione e Futurismo
2011-04-05T00:00:09Z
La tesi analizza la poesia di Paolo Buzzi dalle "Rapsodie leopardiane" al "Poema dei Quarantanni" (1898-1922), individuando temi e strategie liriche presenti in tutto l'arco temporale esaminato. Poiché Buzzi è noto come poeta futurista, si analizza in particolare la sua produzione riferibile all'avanguardia, per comprendere come egli, considerate le istanze della prima raccolta, abbia inteso il futurismo.
Rampazzo, Elena. "La poesia di Paolo Buzzi dagli esordi al Poema dei Quarantanni: temi e tensioni liriche fra tradizione e Futurismo", Università Cattolica del Sacro Cuore, XXIII ciclo, a.a. 2009/10, Milano, [http://hdl.handle.net/10280/1036].
Adobe PDF
http://hdl.handle.net/10280/1036
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Previous issue date: 2011-04-04
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oai:tesionline.unicatt.it:10280/10332013-06-04T13:46:26Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorGHIRINGHELLI, ROBERTINO
ITA
2011-04-04
2011-04-05T00:00:07Z
This work enlightens the political experience of Edoardo Martino, Italian and European political man from 1947 to 1970. He was deputy in the national parliament from 1947 to 1967, under-secretary in many Italian governments (De Gasperi, Pella, Fanfani, Segni, Leone) and one of the members of Italian delegation in the European Parliament until 1967, when he became member of the first unified Commission of the European communities leaded by the President Jean Rey.
authorCOMO, LODOVICO
editorZARDIN, DANILO
DALL'ITALIA ALL'EUROPA. BIOGRAFIA POLITICA DI EDOARDO MARTINO (1910 - 1999)
2011-04-05T00:00:07Z
La tesi si propone di portare alla luce la figura di Edoardo Martino. Parlamentare dalla I alla IV legislatura, più volte sottosegretario alla Presidenza del Consiglio al fianco di De Gasperi (V-VII gabinetto) e sottosegretario alla Difesa e agli Affari esteri in successivi Governi (Pella, Fanfani, Segni, Leone). Designato come mero della delegazione italiana all'Assemblea parlamentare europea e al Parlamento Europeo, fu presidente della Commissione politica di quest'ultimo dal 1964 al 1967, quando venne designato come Commissario per le relazioni esterne delle Comunità nella commissione guidata da Jean Rey.
Como, Lodovico. "DALL'ITALIA ALL'EUROPA. BIOGRAFIA POLITICA DI EDOARDO MARTINO (1910 - 1999)", Università Cattolica del Sacro Cuore, XXII ciclo, a.a. 2009/10, Milano, [http://hdl.handle.net/10280/1033].
Adobe PDF
http://hdl.handle.net/10280/1033
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Previous issue date: 2011-04-04
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oai:tesionline.unicatt.it:10280/12922014-05-26T08:47:15Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorFRARE, PIERANTONIO
ITA
2012-03-05
2012-03-08T01:00:07Z
In Italy the crime novel, that can be also defined “detective story”, “thriller”, or more recently “noir”, between the last twenty years of Twentieth century and the first decade of Two Thousand, shows an interesting evolution, that can handle with some recent historical events, or can be linked with the end of Millennium fears. On the one hand, we can see the rise of “metropolitan crime novel”, in which many writers set their novels always in the same city, their native one or the city in which they live; Milan is the most important in this list and wins the prize of “crime city” in Italy. On the other hand, many novelists establish a strong relationship with their own region, creating a new “crime” regionalism. The most interesting trend is that science fiction and supernatural events enter the crime novel, with policemen that can hear the thoughts of the victims, or have mystic visions, and killers that are guided by a whispering devil. All these aspects appear also in the historical crime novel, that shows how history is often a sort of pretext to stage some problems of the current society.
authorGARAVELLI, BIANCA MARIA
editorZARDIN, DANILO
Il giallo italiano 1980-2010.
Le tendenze di un genere in rapporto con la realtà contemporanea
2012-03-08T01:00:07Z
In Italia il genere “giallo”, definibile anche “poliziesco”, “thriller”, e ultimamente “noir”, fra il ventennio conclusivo del Novecento e il primo decennio del Duemila mostra interessanti linee evolutive, che si collegano con i flussi della storia recente e le paure di fine millennio. Da un lato si assiste all’affermarsi del “giallo metropolitano”, cioè al proliferare di scrittori che si legano alla propria città, d’origine o di elezione, in particolare con Milano, che conquista la palma di città più “nera” d’Italia; dall’altro al consolidarsi del legame fra autori e territori più vasti, tanto da poter parlare di un nuovo regionalismo “giallo”. Ma la novità più interessante consiste nell’entrata in scena di nuovi aspetti: la fusione con elementi propri della fantascienza, o addirittura fantastici, che colorano il giallo di una sfumatura soprannaturale, tra commissari che sentono i pensieri delle vittime di omicidio, o hanno visioni mistiche, e assassini guidati dal sussurro del diavolo. Il giallo storico presenta a sua volta tutti questi aspetti, mostrando come l’ambientazione storica diventi spesso un pretesto per mettere in scena i problemi del presente.
Garavelli, Bianca Maria. "Il giallo italiano 1980-2010.
Le tendenze di un genere in rapporto con la realtà contemporanea", Università Cattolica del Sacro Cuore, XXIII ciclo, a.a. 2010/11, Milano, [http://hdl.handle.net/10280/1292].
Adobe PDF
http://hdl.handle.net/10280/1292
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Previous issue date: 2012-03-05
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oai:tesionline.unicatt.it:10280/12942013-06-04T13:51:06Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorFRARE, PIERANTONIO
ITA
2012-03-05
2012-03-08T01:00:08Z
Pontiggia analyzes all twenty-seven Dialogues with Leucò — a first in the history on Pavese studies. The choice of reading the dialogues not according to the index prepared for publication by the author, but following the chronological order of their composition is dictated by the need to delve more profoundly into Pavese’s work in order to capture the fantastic and thematic relationships linking the single dialogues. This research reveals the relationship — of both freedom and fidelity — that Pavese entertains with his sources, both classical (especially Greek: Homer, Hesiod, the tragedians) and modern (the ethnological and anthropological studies of Pestalozza, Untersteiner, Kerényi, and Paula Philippson). The dialogue form — modeled with great originality on Lucian's Dialogues and on Leopardi’s Operette morali — allows the author to merge an intensely lyrical look with a lucidly argumentative tension, the tragic dimension of existence with the mythopoietic power of the word. In the universal unhappiness, poetry retains its vital force, which redeems, at least partially, the destiny of death and suffering reserved for human beings: this is perhaps the most authentically classical aspect of a book always hanging in the balance between the forces of disintegration and harmony, of clarity and deception, of the earthly and the divine.
authorPONTIGGIA, GIANCARLO
editorZARDIN, DANILO
QUEL CHE E' STATO SARA' UNA LETTURA DEI DIALOGHI CON LEVCO' DI CESARE PAVESE
2012-03-08T01:00:08Z
Pontiggia commenta – ed è la prima volta nella storia degli studi pavesiani – tutti i ventisette Dialoghi con Leucò di Cesare Pavese.
La scelta di leggere i dialoghi non secondo l’indice predisposto dall’autore per la pubblicazione, ma secondo l’ordine cronologico di composizione, è dettata dall’esigenza di scendere più a fondo nell’officina pavesiana, al fine di cogliere i nessi fantastici e tematici che legano i singoli dialoghi. L’indagine rivela il rapporto – di libertà e di fedeltà insieme – che Pavese intrattiene con le sue fonti, sia classiche (soprattutto greche: Omero, Esiodo, i tragici) sia moderne (gli studi etnologici e antropologici del Pestalozza, di Untersteiner, di Kerényi, di Paula Philippson). La forma-dialogo – modellata con originalità sui Dialoghi di Luciano e sulle Operette morali di Leopardi – consente all’autore di fondere uno sguardo intensamente lirico con una tensione lucidamente argomentativa, la dimensione tragica dell’esistenza con la potenza mitopoietica della parola. Nell’infelicità universale, la poesia conserva una sua forza vitale, che riscatta – almeno parzialmente – il destino di morte e di sofferenza riservato agli esseri umani: forse è questo l’aspetto più autenticamente classico di un libro sempre in bilico tra le forze della disgregazione e dell’armonia, della lucidità e dell’inganno, del terrestre e del divino.
Pontiggia, Giancarlo. "QUEL CHE E' STATO SARA' UNA LETTURA DEI DIALOGHI CON LEVCO' DI CESARE PAVESE", Università Cattolica del Sacro Cuore, XXIV ciclo, a.a. 2010/11, Milano, [http://hdl.handle.net/10280/1294].
Adobe PDF
http://hdl.handle.net/10280/1294
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Previous issue date: 2012-03-05
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oai:tesionline.unicatt.it:10280/12952013-06-04T13:51:09Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorFRARE, PIERANTONIO
ITA
2012-03-05
2012-03-08T01:00:08Z
The paper aims to give a critical and annotated edition of poems that Michelangelo chose in about 1546, according to a project which was not carried out, but many traces of which are preserved in the manuscripts. The work is divided as follows:
Note to the text. Illustration of the main textual problems faced while working at the edition and of the criteria used in transcribing the poems.
Edition, paraphrase and commentary. The comment, by finding models and parallel places, aims to highlight the relationship between Michelangelo and the literary tradition, even beyond the canonical sources, repeatedly mentioned in modern editions (Dante’s Divine Comedy and Petrarch of Rvf). The texts are followed by a paraphrase.
Apparatus. A negative one, it I divided into two parts: witnesses of the collection and witnesses of individual poems. It shows both reworking at the time of the collection and the corrections introduced by Michelangelo after abandoning the project of the collection. Sometimes it is particularly rich for the presence of many autographs: in these cases a third section has been added, dedicated to the critical analysis of the variants.
authorTARSI, MARIA CHIARA
editorZARDIN, DANILO
Il canzoniere di Michelangelo: edizione e commento
2012-03-08T01:00:08Z
Il lavoro si propone di dare l’edizione critica e commentata della raccolta di poesie che Michelangelo allestì intorno al 1546, secondo un progetto non condotto a termine, ma del quale sono conservate numerose tracce nei manoscritti. Il lavoro si articola nel modo seguente:
Nota al testo. Illustrazione dei principali problemi ecdotici che si sono riscontrati durante l’edizione e dei criteri adotatti nella trascrizione dei testi.
Edizione, parafrasi e commento. Il commento, attraverso il reperimento di modelli e luoghi paralleli, ha come scopo principale quello di mettere in evidenza il rapporto di Michelangelo con la tradizione letteraria precedente (specie quattrocentesca), anche al di là delle ‘fonti’ canoniche, ripetutamente citate nei commenti moderni (Dante della Commedia e Petrarca dei Rvf). Ai testi si è creduto opportuno accompagnare una elementare parafrasi, stante l’atipica complessità della scrittura michelangiolesca.
Apparato. Di tipo negativo, è organizzato in due fasce: testimoni della raccolta e testimoni di singole poesie (extravaganti). Esibisce sia le rielaborazioni che i testi subirono, dopo la primitiva stesura, in vista dell’inclusione nella raccolta (apparato genetico), sia le correzioni introdotte da Michelangelo quando – accantonato il progetto della silloge – tornò sui singoli testi (apparato evolutivo). Talvolta si presenta particolarmente ricco per la presenza di più redazioni autografe; in questi casi, si è aggiunta all’apparato una sezione dedicata all’analisi critica delle varianti.
Tarsi, Maria Chiara. "Il canzoniere di Michelangelo: edizione e commento", Università Cattolica del Sacro Cuore, XXIV ciclo, a.a. 2010/11, Milano, [http://hdl.handle.net/10280/1295].
Adobe PDF
http://hdl.handle.net/10280/1295
Submitted by MARIA CHIARA TARSI (3709910) on 2012-01-10T09:32:06Z
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Previous issue date: 2012-03-05
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oai:tesionline.unicatt.it:10280/12992013-06-04T13:45:42Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorFRARE, PIERANTONIO
ITA
2012-03-05
2012-03-08T01:00:09Z
This dissertation is the first overall study on Alessandro Manzoni’s relationship with the English-speaking world, considered along both lines: possible influences from English literature on Manzoni’s works, and Manzoni’s reception in Great Britain and the United States in the XIXth century. Manzoni was not ignored or misunderstood in those countries, as some critics believed. On the contrary, distinguished men and women from the literary and cultural world read, liked and quoted his works. Indeed, the great number of translations, reviews, anthologies and books on Italy dealing with Manzoni testifies that the Italian author was well-known among the educated reading public. Two important episodes of Manzoni’s reception in Victorian England can be mentioned: two reviews by Mary Shelley, who was influenced by the issues of the Italian Risorgimento (not totally sympathetic with Manzoni); a novel by Charlotte Yonge, the novelist of the Oxford movement, who admired Manzoni’s "Promessi sposi" for its Christian values. In the United States, the merits of Manzoni’s work were acknowledged by Emerson and Margaret Fuller, who showed interest and consideration for the contemporary Italian culture.
authorCROSTA, ALICE
editorZARDIN, DANILO
Alessandro Manzoni e la cultura anglosassone
2012-03-08T01:00:09Z
La presente tesi di dottorato è il primo studio complessivo sui rapporti di Alessandro Manzoni con la cultura anglosassone, considerati nelle due direzioni: da una parte, le possibili influenze della letteratura inglese sulle sue opere, dall’altra la fortuna dell’autore in Gran Bretagna e negli Stati Uniti nell’Ottocento. Manzoni, infatti, non fu complessivamente incompreso o ignorato nei paesi anglosassoni, come ritenevano alcuni studiosi. Al contrario: personaggi importanti del mondo letterario e culturale apprezzavano e citavano le sue opere, e le numerose traduzioni, recensioni, antologie e libri sull’Italia testimoniano che questo autore era noto tra il pubblico colto. Tra gli episodi più importanti della fortuna di Manzoni nell’Inghilterra vittoriana si possono ricordare: due recensioni di Mary Shelley, influenzata dalla prospettiva risorgimentale (che era in realtà ambivalente verso Manzoni); e un romanzo della scrittrice Charlotte Yonge, legata al movimento di Oxford, che apprezzava particolarmente "I promessi sposi" per i valori cristiani. Negli Stati Uniti, i pregi del romanzo erano riconosciuti da intellettuali attenti alla cultura italiana contemporanea, come Emerson e Margaret Fuller.
Crosta, Alice. "Alessandro Manzoni e la cultura anglosassone", Università Cattolica del Sacro Cuore, XXIV ciclo, a.a. 2010/11, Milano, [http://hdl.handle.net/10280/1299].
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Previous issue date: 2012-03-05
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oai:tesionline.unicatt.it:10280/12962014-05-21T13:26:20Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorMONTANARI, DANIELE
ITA
2012-03-05
2012-03-08T01:00:08Z
At the origin of this research there are basically two fundamental reasons: a reason extrinsic and an intrinsic reason. On the one hand, the identification of at least two archives of absolute importance has provided a strong inducement to undertake a close study of the dynamics of the Republican Fascism (1943-1945) in the territory of Brescia. The archives are the Regional Military Tribunal of war the Italian Social Republic of Brescia and the Provincial Committee of Brescia of the Delegation of the High Commissioner for sanctions against fascism.
On the other hand, the caliber of the predominantly fascist archives identified was a strong intellectual stimulus to perform a search of this type because it offered the possibility, not frequent in view of national historiography, to examine the internal dynamics of the state and the fascist party, studied mostly from the outside.
However the point of view fascist has engulfed our attention and it has not broken the critical vigilance nor the duty to screen the material at the base of our research.
Finally, the relief of mail matter under investigation is important because the focus of research is the area of Brescia, which has been the epicenter of the experience of the Republic of Mussolini. This has enriched the source of interest for a study focused on hot spots of the fascism of the last power.
authorPALA, ELENA
editorZARDIN, DANILO
BRESCIA CAPITALE DELLA REPUBBLICA SOCIALE ITALIANA. LOTTA POLITICA E VITA QUOTIDIANA (1943-1945)
2012-03-08T01:00:08Z
All’origine della presente ricerca si pongono sostanzialmente due ragioni fondanti: una estrinseca ed una intrinseca. Da un lato, ha fornito una forte sollecitazione ad intraprendere uno studio ravvicinato sulla dinamica del fascismo repubblicano (1943-1945) in terra bresciana l’individuazione di almeno due fondi archivistici di assoluto rilievo: la sezione di Brescia del Tribunale militare regionale di guerra della Repubblica sociale italiana e la Commissione provinciale di Brescia dell’Alto Commissariato per le sanzioni contro il fascismo.
Da un altro lato, la caratura prevalentemente fascista dei fondi archivistici individuati costituiva un forte stimolo intellettuale a mettere in cantiere una ricerca di questo tipo perché offriva la possibilità, non frequente nel panorama storiografico nazionale, di esaminare nel concreto e dall’interno la dinamica di decisivi apparati dello Stato e del partito fascista di cui è per lo più dall’esterno che si sono attuati approcci.
Non per questo il punto di vista fascista ha fagocitato la nostra attenzione abbattendo la vigilanza critica e il doveroso vaglio del materiale posto alla base della nostra ricerca.
Non si può sottacere, infine, il rilievo della materia posta sotto indagine. Al centro della ricerca messa in cantiere sta, infatti, il territorio bresciano che ha costituito l’epicentro dell’esperienza della Repubblica di Mussolini. Tutto ciò non ha fatto che arricchire il nostro motivo di interesse per uno studio mirato sui luoghi caldi del potere dell’ultimo fascismo.
Pala, Elena. "BRESCIA CAPITALE DELLA REPUBBLICA SOCIALE ITALIANA. LOTTA POLITICA E VITA QUOTIDIANA (1943-1945)", Università Cattolica del Sacro Cuore, XXIV ciclo, a.a. 2010/11, Milano, [http://hdl.handle.net/10280/1296].
Adobe PDF
http://hdl.handle.net/10280/1296
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Previous issue date: 2012-03-05
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oai:tesionline.unicatt.it:10280/12932014-05-21T11:57:11Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorBOCCI, MARIA
ITA
2012-03-05
2012-03-08T01:00:07Z
The thesis explores the relationship between fascism and the non-catholic and middle-eastern cults, along with some political-spiritual phenomena of the Far East. It expands from these questions: what were the links between thought and action under fascism? What role was the “spirit” given? Did the regime intend to create a political religion? Has a fascist syncretism ever existed? The main source of the thesis is comprised of the political journals, which allow to understand the final goals of fascist religious politics. Its adoption has raised further questions: is it possible to identify a univocal thought on the religions in fascist journals? How did they contribute to the fascist syncretism? The thesis branches into three chapters. The first is dedicated to the fascist doctrine and mysticism, the second is pertaining to the relationship between fascism and the non-catholic denominations (Italian evangelicalism, the Orthodox Church of the Dodecanese, and Eritrean and Ethiopian Coptic Churches), the third investigates the contacts with Hebraism and Islam and includes an examination of the links between fascism, Indian nationalism, Gandhism and Japanese nationalism. The thesis illuminates unknown aspects of fascism, which must be investigated to fully comprehend the ideology of the regime and its political action.
authorGORLA, FILIPPO
editorZARDIN, DANILO
Il fascismo, i culti a-cattolici e le religioni dell'Oriente nelle riviste del regime (1922-1943)
2012-03-08T01:00:07Z
La tesi esplora i rapporti del fascismo con i culti a-cattolici e mediorientali, oltre che con alcuni fenomeni politico-spirituali dell’Estremo Oriente. Essa muove da questi interrogativi: quali erano nel fascismo i legami tra il pensiero e l’azione? Quale ruolo era riconosciuto allo “spirito”? Il regime intendeva creare una religione politica? E’ esistito un sincretismo fascista? La fonte principale della tesi è costituita dalle riviste politiche del regime, che consentono di cogliere le finalità strategiche della politica religiosa fascista. L’adozione di questa fonte ha sollevato ulteriori interrogativi: si può individuare nelle riviste una linea di pensiero univoca sulle religioni? Come contribuirono al sincretismo fascista? La tesi si articola in tre capitoli. Il primo è dedicato alla dottrina e alla mistica fascista, il secondo è relativo ai rapporti tra il fascismo e le confessioni a-cattoliche (evangelismo italiano, Chiesa ortodossa del Dodecanneso e Chiese copte eritrea ed etiopica), il terzo indaga invece i contatti con l’ebraismo e l’Islam e include una breve disamina dei rapporti tra il fascismo, il nazionalismo indiano, il gandhismo e il nazionalismo giapponese. La tesi illumina aspetti poco considerati del ventennio, che devono essere indagati per comprendere appieno l’ideologia del regime e la sua azione politica.
Gorla, Filippo. "Il fascismo, i culti a-cattolici e le religioni dell'Oriente nelle riviste del regime (1922-1943)", Università Cattolica del Sacro Cuore, XXIII ciclo, a.a. 2010/11, Milano, [http://hdl.handle.net/10280/1293].
Adobe PDF
http://hdl.handle.net/10280/1293
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Previous issue date: 2012-03-05
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oai:tesionline.unicatt.it:10280/17912014-05-26T10:16:15Zhdl_10280_65hdl_10280_47
DocTA - Doctoral Theses Archive
advisorRIVA, ELENA
ITA
2013-02-13
2013-03-26T01:00:18Z
THE STORIES OF ITALY AGE OF RESTORATION
THE CASE OF CARLO BOTTA
This thesis has as its primary objective, through the discussion and the analysis of certain categories and paradigms of nineteenth-century historiography, in the light of several methodological experiences, the one to explore how the nineteenth century has forged and used concepts such as Restoration, as the same category Modern State, without forgetting what Risorgimento exactly means.
Studying therefore issues and events of the Italian Risorgimento history, which would like to highlight some important thoughts around the history of a period, going far beyond a simple chronological consequentiality, having as the foregone conclusion the united national event.
This starting point has generated a series of questions build on by this thesis. The basic question concerns in which time Italy has begun to talk about "nation", but above all concepts such as “homeland”, and how to define the “patriotic spirit”, and whence it was born.
The most important sources are represented, mainly, by the “Stories of Italy”, used as sources, which came to light in the first half of the nineteenth century with alternating success.
In particular, great attention is devoted to the figure of Carlo Botta, who, throughout the course of this research, constitutes himself as a paradigm for his own personal experience indeed, made up of innumerable political and cultural experiences, as well as a Risorgimento’s ambition in a narrative tension, that has emerged from the reading and close examination of his Histories of Italy. Actually, they are an absolute source in proving the reasons for this research and together, through the explanation of his Life, draw the attention to the contrasts and points of contact of an era that has its identity-making roots far earlier than modern history has given us.
authorVIGANO', DANIELE LUDOVICO
editorZARDIN, DANILO
LE STORIE D'ITALIA NELL'ETA' DELLA RESTAURAZIONE. IL CASO DI CARLO BOTTA
2013-03-26T01:00:18Z
LE STORIE D’ITALIA NELL’ETÀ DELLA RESTAURAZIONE
IL CASO DI CARLO BOTTA
La tesi ha, come primo obiettivo, attraverso la discussione e l’analisi di alcune categorie e paradigmi storiografici ottocenteschi, alla luce di diverse esperienze metodologiche, quello di indagare in che modo il XIX secolo abbia forgiato e utilizzato concetti come quello di Restaurazione, nonché la medesima categoria di Stato Moderno, senza dimenticare cosa significhi propriamente Risorgimento.
Studiare, dunque, aspetti ed eventi della storia risorgimentale italiana, che desiderano mettere in luce alcune importanti riflessioni intorno alla Storia di un periodo, che vanno ben oltre una semplice consequenzialità cronologica, avendo come esito scontato l’evento unitario nazionale.
Questo punto di partenza ha generato una serie d’interrogativi, da cui questa tesi prende le mosse. La domanda sostanziale riguarda in che momento in Italia si sia incominciato a parlare di «nazione», ma soprattutto concetti come «patria», e quali siano state le modalità per definire lo «spirito patriottico», e da dove esso sia nato.
Le fonti più importanti sono rappresentate, principalmente, da «Storie d’Italia», utilizzate come fonti, venute alla luce nella prima metà dell’Ottocento con alterne fortune.
In particolare, grande attenzione è dedicata alla figura di Carlo Botta, il quale, in tutto lo svolgimento di questa ricerca, si costituisce a paradigma, proprio per il suo vissuto personale, fatto di innumerevoli esperienze politiche e culturali, di un’aspirazione risorgimentale in una tensione narrativa che è emersa dalla lettura e approfondimento delle sue Storie d’Italia. Esse si costituiscono, infatti, come fonte imprescindibile nel comprovare le ragioni di questa ricerca, e insieme, attraverso la spiegazione della sua Vita, nel porre in luce contrasti e punti di contatto di un’epoca che pone le sue radici identitarie, ben prima di quanto la storia moderna abbia voluto consegnarci.
Vigano', Daniele Ludovico. "LE STORIE D'ITALIA NELL'ETA' DELLA RESTAURAZIONE. IL CASO DI CARLO BOTTA", Università Cattolica del Sacro Cuore, XXIII ciclo, a.a. 2011/12, Milano, [http://hdl.handle.net/10280/1791].
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http://hdl.handle.net/10280/1791
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oai:tesionline.unicatt.it:10280/17902014-05-21T12:05:51Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorPACCAGNINI, ERMANNO
ITA
2013-02-13
2013-03-26T01:00:13Z
The decision to study the Fiore delle Georgiche derives from the research space still open over the activity of Quasimodo as a translator, above all in light of the autograph papers kept at the research center on manuscript tradition of modern and contemporary authors of Pavia’ University. The study reveals the reason for the decision of Quasimodo to read Virgilio as mansuetus poet of Georgics and the presence of many affinities of contents between the poetic imaginary of the Sicilian poet and the latin poem, starting from the great theme of nature, cosmic and georgic at the same time, and for the presence of the four primordial elements (air, earth, fire, water) as key words of the interpretation of the poet. Other common subjects are: the myth of Eden, the couple love-death and the myth of Orpheus. The version of Quasimodo from the point of view of contents and expression reveals the tendency to attenuate the concepts mainly characterized by culture and by the augusteus historical context. The translator poet creates a new text that, marked by a stronger lyrical component rather than didactic, sends a universally valid message and closer to his contemporary readers. The study of the autograph papers has dispelled any doubt over the novelty of the work by Quasimodo and has revealed the seriousness in the approach to the translation.
authorGRIMOLDI, MARIA
editorZARDIN, DANILO
Il Virgilio mansuetus di Salvatore Quasimodo, traduttore e interprete delle Georgiche
2013-03-26T01:00:13Z
La scelta di studiare il Fiore delle Georgiche è motivata dallo spazio di approfondimento ancora aperto sull’attività di Quasimodo traduttore, soprattutto alla luce delle carte autografe custodite presso il Centro di ricerca sulla tradizione manoscritta di autori moderni e contemporanei dell’Università di Pavia. L’indagine rivela le motivazioni della decisione da parte del poeta siciliano di leggere il «Virgilio … mansuetus della Georgiche» e la presenza di cospicue affinità tematiche tra l’immaginario poetico quasimodiano e il poema latino, a partire dal grande tema della natura, cosmica e georgica insieme, e dalla presenza dei quattro elementi primordiali (aria, terra, fuoco, acqua) come parole-chiave dell’interpretazione del poeta. Altri motivi comuni sono: il mito dell’Eden, il binomio amore-morte e il mito di Orfeo. La versione di Quasimodo sul piano dei contenuti e dell’espressione rivela la tendenza ad attenuare i concetti maggiormente connotati dal punto di vista della cultura e del contesto storico augusteo. Il poeta traduttore crea un nuovo testo che, improntato ad accentuare la componente lirica rispetto a quella didascalica, trasmetta un messaggio universalmente valido e più vicino al lettore a lui contemporaneo. Lo studio delle carte autografe ha fugato qualunque dubbio sull’originalità dell’operazione quasimodiana e ha rivelato la serietà nell’approccio alla traduzione.
Grimoldi, Maria. "Il Virgilio mansuetus di Salvatore Quasimodo, traduttore e interprete delle Georgiche", Università Cattolica del Sacro Cuore, XXII ciclo, a.a. 2011/12, Milano, [http://hdl.handle.net/10280/1790].
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http://hdl.handle.net/10280/1790
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oai:tesionline.unicatt.it:10280/25122014-06-26T00:02:33Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorPACCAGNINI, ERMANNO
ITA
2014-03-13T00:01:00Z
2014-03-15T01:01:19Z
This research aims at providing a first and thorough description of Gianna Manzini’s work for the Italian Broadcasting (RAI), a collaboration which started in 1947 and ended in 1968. Her works for the radio are divided into fashion and literary criticism broadcasting (chapter 1) and original radio screenplays (chapter 2); her works for the television are divided into broadcasted and non broadcasted scripts (chapter 3). The texts of these programmes have been found in the following archives: Fondazione Arnoldo e Alberto Mondadori (Milan), Archivio del Novecento, Università La Sapienza (Rome) and Biblioteca Nazionale Centrale (Rome). The thesis both describes and analyzes original and unpublished works and screenplays, such as L’Almanacco dei sogni, Il paesaggio come fatto personale, Il grande indiscreto, Il nome di battesimo and Alfredino.
In the end, the research showed evidence that Gianna Manzini was well aware that different media require different writing characteristics and was able to act accordingly. Nonetheless, her literary and broadcasting activity cannot be considered as two separate carriers, being actually strictly bound to each other.
authorSIVIERI, SARAH
editorZARDIN, DANILO
"CARI AMICI E AMICHE ALL'ASCOLTO": GIANNA MANZINI ALLA RADIOE ALLA TELEVISIONE
2014-03-15T01:01:19Z
Il presente lavoro costituisce la prima ricostruzione del lavoro di Gianna Manzini alla radio e alla televisione, che comincia nel 1947 e si conclude nel 1968. Gli interventi radiofonici sono divisi in trasmissioni di moda e costume e di critica letteraria (capitolo 1) e racconti scritti per la radio (capitolo 3); le trasmissioni televisive sono ripartite in sceneggiature realizzate e non realizzate (capitolo 3). I testi dei programmi sono stati identificati nei fondi archivistici della Fondazione Arnoldo e Alberto Mondadori di Milano, dell’Archivio del Novecento dell’Università La Sapienza di Roma e della Biblioteca Nazionale Centrale di Roma. Il lavoro si basa dunque sulla descrizione e l’analisi di materiale inedito, come L’Almanacco dei sogni e Il paesaggio come fatto personale, e le sceneggiature Il grande indiscreto, Il nome di battesimo e Alfredino.
La ricognizione ha dimostrato come Gianna Manzini possedesse una consapevolezza mediatica tale da essere in grado di adattare il proprio stile alle specifiche esigenze del mezzo di comunicazione. Tuttavia, l’attività radio-televisiva non può essere considerata del tutto autonoma e disgiunta dalla carriera letteraria, con la quale intrattiene un rapporto strettissimo e osmotico.
Sivieri, Sarah. ""CARI AMICI E AMICHE ALL'ASCOLTO": GIANNA MANZINI ALLA RADIOE ALLA TELEVISIONE", Università Cattolica del Sacro Cuore, XXIV ciclo, a.a. 2012/13, Milano, [http://hdl.handle.net/10280/2512].
Adobe PDF
http://hdl.handle.net/10280/2512
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Previous issue date: 2014-03-13T00:01:00Z
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oai:tesionline.unicatt.it:10280/18022013-06-04T09:58:35Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorPACCAGNINI, ERMANNO
ITA
2013-02-13
2013-03-26T01:00:43Z
Salviati’s rassettatura of the Decameron has been often considered by many critics only a censorship which thoroughly ‘kills’ Boccaccio and his masterpiece. What is nevertheless evident in this research is that Salviati wants, even if he was bound to a brutal censorship, to restore the true version of the Decameron both from the philological point of view and from the linguistic one. In particular Salviati wants to regain the supremacy on Italian language for Florence after Bembo and his Prose della volgar lingua (1525).
The research is the result of a systematic and complete collation between Salviati’s Decameron and the sources which Salviati used: Borghini’s rassettatura, Mannelli codex, the first printed edition (the so called Deo Gratias), and the florentine edition of the 1527. From this collation and from the phonetic, morphologal and syntactical analysis of all the variants and in particular of Salviati’s choices it comes out Salviati’s true will which is twofold: first of all he wants to restore the language of the 14th century (the Mannelli codex), a perfect and sweet language, then he also wants to underline the supremacy of modern Florentines, true and only heirs of Dante, Petrarch and Boccaccio’s language and culture.
authorMAINO, PAOLO MARIA GILBERTO
editorZARDIN, DANILO
LA LINGUA DELLA RASSETTATURA DEL DECAMERON DI LIONARDO SALVIATI
2013-03-26T01:00:43Z
La rassettatura del Decameron compiuta da Salviati nel 1582 è stata oggetto di dure critiche fin dal Settecento (tra i primi critici ad inizio Ottocento è da ricordare Ugo Foscolo): il grammatico fiorentino è sostanzialmente considerato un ‘pubblico assassino di Boccaccio’ che ha trasformato il capolavoro narrativo della letteratura delle origini in un moralistico elenco di vizi da punire e di virtù da ammirare.
Senza ovviamente negare la pesantezza dell’intervento censorio di Salviati (soprattutto per gli occhi di noi moderni), tuttavia l’analisi linguistica e filologica che si presenta in questa tesi di ricerca mostra come il vero intento di Salviati sia quello di salvare più testo possibile del Decameron e anzi di ripristinarne la corretta lezione dopo l’azione grossolana di tanti editori (soprattutto veneziani) della prima metà del 500. Oltre a questo recupero della lingua perfetta del XIV secolo, Salviati, sulla linea delle lezioni di Varchi e Borghini, ha anche inteso riporre al centro dell’italiano la supremazia della favella fiorentina anche nella sua versione moderna da lui spesso considerata come il cosciente completamento di quella del Trecento.
Maino, Paolo Maria Gilberto. "LA LINGUA DELLA RASSETTATURA DEL DECAMERON DI LIONARDO SALVIATI", Università Cattolica del Sacro Cuore, XXV ciclo, a.a. 2011/12, Milano, [http://hdl.handle.net/10280/1802].
Adobe PDF
http://hdl.handle.net/10280/1802
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Previous issue date: 2013-02-13
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oai:tesionline.unicatt.it:10280/18012024-01-24T16:27:29Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorDE CARLI SCIUME, CECILIA
ITA
2013-02-13
2013-03-26T01:00:41Z
This PhD dissertation deals with intangible cultural heritage and museums. An increasing interest in intangible heritage has been arising in the world in these last years, especially since 2003, when UNESCO drew up the Convention for the Safeguarding of Intangible Cultural Heritage.
A detailed historical review shows the steps which brought to this attainment; a formal and theoretical parallelism between intangible heritage and contemporary art is outlined too.
A study on the very recent history of museums allows to underline the difficulties museum encounters in collecting intangible heritage.
It’s possible to think about new museological solutions thanks to the contribution of aesthetics: the thought of phenomenology helps in finding ways to respect the collection and to involve the publics.
The dissertation also deals with the contemporary architecture of museums, with museum education and with the use of new technologies in museums: some uses are bad, others are good and useful for the communication of intangible cultural heritage.
authorGASPARINI, LUCIA
editorZARDIN, DANILO
IL PATRIMONIO CULTURALE IMMATERIALE: NUOVE PROSPETTIVE CONCETTUALI, ARTISTICHE, MUSEOLOGICHE
2013-03-26T01:00:41Z
La ricerca affronta il tema del crescente spazio che la considerazione del patrimonio culturale immateriale ha acquisito nel panorama mondiale a partire dagli ultimi decenni, in particolare dal 2003, quando l’UNESCO ha stilato la Convenzione per la salvaguardia del patrimonio culturale immateriale.
Oltre a ripercorrere le tappe storiche che nel XX secolo hanno condotto a tale risultato, esso traccia un ancora poco esplorato parallelismo - formale e teorico - tra l’evoluzione del concetto di patrimonio immateriale e lo sviluppo delle forme dell’arte contemporanea a partire dal secondo dopoguerra fino ad oggi.
Tale tematica interessa anche il museo e una lettura della sua storia più recente mette in luce le conquiste e le difficoltà conseguenti l’accoglienza di manifestazioni immateriali all’interno delle collezioni.
Tale aspetto viene avvicinato anche con gli strumenti dell’estetica fenomenologica, che contribuiscono a valutare possibili future azioni museologiche e museografiche nei confronti del patrimonio immateriale, nella direzione di un maggior rispetto della collezione e di un migliore coinvolgimento dei vari pubblici.
Il contributo si sofferma altresì ad approfondire alcuni aspetti dell’architettura contemporanea, della didattica museale e dell’utilizzo delle nuove tecnologie in ambito museale valutandone utilizzi positivi o al contrario poco adeguati per una seria e fruttuosa valorizzazione del patrimonio immateriale.
Gasparini, Lucia. "IL PATRIMONIO CULTURALE IMMATERIALE: NUOVE PROSPETTIVE CONCETTUALI, ARTISTICHE, MUSEOLOGICHE", Università Cattolica del Sacro Cuore, XXV ciclo, a.a. 2011/12, Milano, [http://hdl.handle.net/10280/1801].
Adobe PDF
http://hdl.handle.net/10280/1801
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Previous issue date: 2013-02-13
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oai:tesionline.unicatt.it:10280/17952013-06-04T14:00:34Zhdl_10280_65hdl_10280_47
DocTA - Doctoral Theses Archive
advisorPACCAGNINI, ERMANNO
ITA
2013-02-13
2013-03-26T01:00:27Z
This dissertation aims at setting Igino Giordani within the broader framework of the catholic cultural environment between the two world wars. It focuses on his proposal of an «integral Christianity» as a solution to the recession which threatened the fundamental values and principles of the economy, politics and culture during the 1920's and 1930's. This is the reason why the relationships between Giordani and many of his colleagues and cultural catholic institutions have been studied in depth.
The work starts with a biography, underlining how Giordani's youth has been affected by the war and the experience as a soldier, up to his peaceful death, in 1980. His life shows how the consistency of his actions with his faith made him an influent personality in his working environments, to the point that the beatification process has begun.
The research is based on Giordani's writings and on the previous historiography, but the most important source is constituted by a large number of archive documents. Particularly, Giordani's private correspondence has been very useful in understanding how he acted in order to support the engagement of the catholic intellectuals during the dark fascist age and his endless activity in order to build a new humanism.
The work also focuses on the relationships between Giordani and two members of the Italian catholic world of the time: Giovanni Papini and Piero Bargellini.
authorPAGLIARULO, CARLA
editorZARDIN, DANILO
I. Giordani, uomo di lettere e di cultura, e l'ideale di un «cristianesimo integrale»: alcuni carteggi indediti
2013-03-26T01:00:27Z
La tesi ha lo scopo di inquadrare Giordani nel contesto del mondo culturale cattolico tra le due guerre e di approfondire la sua proposta di «cristianesimo integrale» come soluzione alla crisi che negli anni Venti e Trenta viziò il mondo economico, il sistema politico e lo scenario culturale, a livello di principi fondamentali, di valori. Per questo si è dato assoluto rilievo ai rapporti di Giordani con molti intellettuali suoi contemporanei e con varie istituzioni culturali cattoliche.
Il testo segue dapprima un indirizzo biografico, che permette di ripercorrere la vita di Giordani dalla giovinezza, segnata dalla guerra e dall’esperienza al fronte, alla sua serena fine, nel 1980. Si tratta di una testimonianza di come la sua conseguenzialità tra fede e opere abbia inciso negli ambienti che lo hanno visto protagonista, tanto che è stato avviato per lui il processo di beatificazione.
La ricerca è stata condotta tenendo conto degli scritti di Giordani e della storiografia precedente, ma soprattutto utilizzando numerosi materiali d’archivio. In particolare i carteggi privati aiutano a ricostruire l’operato di Giordani a favore dell’impegno degli intellettuali cattolici negli anni oscuri del fascismo e la sua indefessa attività per la realizzazione di un nuovo umanesimo.
Altro spazio è stato riservato ai rapporti maturati da Giordani con due esponenti del mondo cattolico italiano di quel periodo, ovvero Giovanni Papini e Piero Bargellini.
Pagliarulo, Carla. "I. Giordani, uomo di lettere e di cultura, e l'ideale di un «cristianesimo integrale»: alcuni carteggi indediti", Università Cattolica del Sacro Cuore, XXIV ciclo, a.a. 2011/12, Milano, [http://hdl.handle.net/10280/1795].
Adobe PDF
http://hdl.handle.net/10280/1795
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Previous issue date: 2013-02-13
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oai:tesionline.unicatt.it:10280/25112014-03-15T02:01:20Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorBOCCI, MARIA
ITA
2014-03-13T00:01:00Z
2014-03-15T01:01:05Z
The first part of the research considers the phenomenon of so-called "femminismo cristiano", built on the initiative of some women in the early twentieth century in Milan who founded the magazine "L'Azione muliebre", followed some years later by "Pensiero e azione", which places of reflection to think back to the woman and her new role in society, in relation to the experiences of women, national and international. The studies take into consideration the Catholic women's movement on the eve of the First World War, with particular attention to the part in favor of the intervention into the war. The last part of the paper analyzes the growth and spread in Italy of the Gioventù femminile di Azione Cattolica of Armida Barelli, considering the role played by GF in the social and cultural changes of the female world until after World War II.
authorMAVERI, FEDERICA MARIA CLEMENTINA
editorZARDIN, DANILO
DONNE INQUIETE: LA FIGURA FEMMINILE NEL MONDO CATTOLICO MILANESE
2014-03-15T01:01:05Z
La prima parte della ricerca considera il fenomeno del cosiddetto “femminismo cristiano”, sorto per iniziativa di alcune donne che agli inizi del Novecento fondarono a Milano la rivista “L’Azione muliebre”, seguita alcuni anni dopo da “Pensiero e azione”, quali luoghi di riflessione per ripensare alla donna e al suo nuovo ruolo nella società, in rapporto anche alle esperienze femminili, nazionali e internazionali. Gli studi prendono poi in considerazione il movimento femminile cattolico alla vigilia della prima guerra mondiale, con particolare attenzione verso quella parte che si schierò a favore dell’intervento dell’Italia in guerra. L’ultima parte del lavoro analizza il sorgere e il diffondersi in Italia della Gioventù femminile di Azione Cattolica di Armida Barelli, considerando il ruolo avuto dalla GF nei cambiamenti sociali e culturali del mondo femminile fino al secondo dopoguerra.
Maveri, Federica Maria Clementina. "DONNE INQUIETE: LA FIGURA FEMMINILE NEL MONDO CATTOLICO MILANESE", Università Cattolica del Sacro Cuore, XXIV ciclo, a.a. 2012/13, Milano, [http://hdl.handle.net/10280/2511].
Adobe PDF
http://hdl.handle.net/10280/2511
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oai:tesionline.unicatt.it:10280/25132014-05-26T08:48:31Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorFRARE, PIERANTONIO
ITA
2014-03-13T00:01:00Z
2014-03-15T01:01:20Z
The thesis compares the literary works of Giacomo Leopardi and Alessandro Manzoni. The thesis is structured in three chapters. The first chapter collects the historical-biographical elements useful to explain the terms of this relationship and ends with two portrait dedicated to Monaldo Leopardi, reader of Manzoni, and Matilde Manzoni, daughter of Alessandro, reader of Leopardi. The second chapter instead presents the results of an intertextual reading, which has as its main subject the study of quotations from or references to Manzoni in the poems written by Leopardi between 1828 and 1830. The third chapter compares the pages of Leopardi and Manzoni about the historical figure of Marcus Junius Brutus, an important figure of the classical latin word, often used as symbol of the French Revolution.
authorGHIDINI, OTTAVIO
editorZARDIN, DANILO
MANZONI E LEOPARDI A CONFRONTO: INTERTESTUALITÀ, FORME DELLO STILE, FORME DEL PENSIERO
2014-03-15T01:01:20Z
La tesi mette a confronto l'opera letteraria di Giacomo Leopardi e quella di Alessandro Manzoni. La tesi è strutturata in tre capitoli. Il primo capitolo raccoglie tutti i dati storico-biografici utili per inquadrare i termini di questo rapporto e si conclude con un dittico dedicato a Monaldo Leopardi, lettore di Manzoni, e a Matilde Manzoni, figlia di Alessandro, lettrice di Leopardi. Il secondo capitolo presenta invece i risultati di una lettura intertestuale, che ha come oggetto principale lo studio di citazioni o allusioni manzoniane nei leopardiani canti pisano-recanatesi. Il terzo capitolo invece mette a confronto le pagine di Leopardi e di Manzoni nelle quali si fa riferimento alla figura storica di Marco Giunio Bruto, personaggio importante della classicità latina, spesso utilizzato come simbolo della Rivoluzione francese.
Ghidini, Ottavio. "MANZONI E LEOPARDI A CONFRONTO: INTERTESTUALITÀ, FORME DELLO STILE, FORME DEL PENSIERO", Università Cattolica del Sacro Cuore, XXV ciclo, a.a. 2012/13, Milano, [http://hdl.handle.net/10280/2513].
Adobe PDF
http://hdl.handle.net/10280/2513
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oai:tesionline.unicatt.it:10280/25142014-03-15T02:01:27Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorPAGANO, EMANUELE
advisorZARDIN, DANILO
ITA
2014-03-13T00:01:00Z
2014-03-15T01:01:21Z
The thesis consists of a thorough investigation on emigration from the valleys between Lake Lugano and Verbano from the sixteenth to the early nineteenth century, from mostly unpublished sources and, especially, the deeds preserved in the State Archives of Milan. The research has allowed us to bring to light the characteristic aspects of the local migrations and their connecting elements with those that started the entire foothills of the Alps of Lombardy. Were identified, in particular, the main goals in working relationship with the universe of trades, not just the most famous and traditional building, the binding of emigrants with their families, communities and institutions of the places of departure. Finally, an important part of the work has focused on the sphere of mentality and individual devotions reflected in the wills.
authorPARNISARI, FRANCESCO
editorZARDIN, DANILO
ANDARE PER IL MONDO. MIGRAZIONI DI MESTIERE E COMUNITA' LOCALI NELLE VALLI TRA IL VERBANO E IL CERESIO IN ETA' MODERNA
2014-03-15T01:01:21Z
La tesi consiste in un'indagine approfondita sull'emigrazione dalle valli che si snodano tra i laghi Verbano e Ceresio dal Cinquecento al primo Ottocento, a partire da fonti per lo più inedite e, specialmente, gli atti notarili conservati nell'Archivio di Stato di Milano. La ricerca ha consentito di portare alla luce gli aspetti caratteristici delle migrazioni locali e i loro elementi di raccordo con quelle che partivano dall'intera fascia prealpina lombarda. Si sono individuate, in particolare, le principali mete lavorative in relazione con l'universo dei mestieri, non solo i più noti e tradizionali dell'edilizia, il legame degli emigranti con le loro famiglie, le comunità e le istituzioni dei luoghi di partenza. Infine, una parte importante del lavoro ha riguardato la sfera della mentalità e delle devozioni individuali riflessa nei testamenti.
Parnisari, Francesco. "ANDARE PER IL MONDO. MIGRAZIONI DI MESTIERE E COMUNITA' LOCALI NELLE VALLI TRA IL VERBANO E IL CERESIO IN ETA' MODERNA", Università Cattolica del Sacro Cuore, XXVI ciclo, a.a. 2012/13, Milano, [http://hdl.handle.net/10280/2514].
Adobe PDF
http://hdl.handle.net/10280/2514
Submitted by FRANCESCO PARNISARI (3911257) on 2014-01-21T08:14:37Z
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Previous issue date: 2014-03-13T00:01:00Z
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oai:tesionline.unicatt.it:10280/61502024-01-24T17:12:57Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorFRARE, PIERANTONIO
advisorCORRADINI, MARCO MARIA
ITA
2015-03-19T00:01:00Z
2015-03-20T01:00:46Z
Although rewarded by a minor fortune than that which occurred to the novels, Svevo’s plays are a determinant parenthesis of his literary career: in fact, the writer has left thirteen commedies, distributed over a biographical arch which extends from 1880, the year of Ariosto governatore, up to, with La rigenerazione, the years immediately preceding his death. Consider, too, that the theater was a passion that accompanied Svevo for the whole of life, both as a frequenter of shows in Italy and abroad, both as a critic for the most important newspapers in Trieste.
For these reasons, it seemed appropriate in this research back on a theme - that of Svevo’s plays - less regarded by critics. In the first section of the thesis, entitled Svevo e il teatro, after a short outline of the criticism and of the history of representations, we tried to delineate the borders of the relationship that joined Svevo to the world of the stage. In the second section of the work, entitled Trasgressione, ribellione e falsificazione nel teatro sveviano, were taken into analysis the plays; comedies were grouped according to three themes: transgression, rebellion and forgery.
authorANTONINI, GABRIELE
editorZARDIN, DANILO
"IL TEATRO ERA ALLORA IL SUO SOSPIRO". SVEVO DRAMMATURGO
2015-03-20T01:00:46Z
Seppur premiata da una fortuna minore rispetto a quella occorsa alle opere narrative, la produzione teatrale di Svevo rappresenta una parentesi determinante della sua carriera letteraria: il triestino, infatti, ci ha lasciato un corpus teatrale significativo, composto da tredici copioni, distribuiti su un arco biografico che si estende dal 1880, anno dell’Ariosto governatore, fino ad arrivare, con La rigenerazione, agli anni immediatamente precedenti alla morte. Si consideri, inoltre, che quella per il teatro fu una passione che accompagnò Svevo per l’intera esistenza, sia come frequentatore di spettacoli tanto in Italia quanto all’estero, sia come critico per le più importanti testate triestine.
Per questi motivi, è parso opportuno in questo lavoro di ricerca tornare su un tema – quello delle commedie di Svevo – meno considerato dalla critica. Nella prima sezione della tesi, intitolata Svevo e il teatro, dopo un rapido profilo della critica e della storia delle rappresentazioni, si è cercato di delineare i confini del rapporto che unì Svevo al mondo del palcoscenico. Nella seconda sezione di del lavoro, intitolata Trasgressione, ribellione e falsificazione nel teatro sveviano, sono state prese in analisi le pièces del triestino; le commedie sono state raggruppate in base a tre nuclei tematici: trasgressione, ribellione e falsificazione.
Antonini, Gabriele. ""IL TEATRO ERA ALLORA IL SUO SOSPIRO". SVEVO DRAMMATURGO", Università Cattolica del Sacro Cuore, XXVI ciclo, a.a. 2013/14, Milano, [http://hdl.handle.net/10280/6150].
Adobe PDF
http://hdl.handle.net/10280/6150
Submitted by GABRIELE ANTONINI (3911255) on 2014-12-04T14:24:01Z
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Previous issue date: 2015-03-19T00:01:00Z
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oai:tesionline.unicatt.it:10280/61512015-03-20T09:51:08Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorBOCCI, MARIA
ITA
2015-03-19T00:01:00Z
2015-03-20T01:00:47Z
This research analyses the history of Gioventù Studentesca (GS), a movement born in Milan in 1954 within the context of the Italian Catholic Association (AC). This movement was founded by don Luigi Giussani, assistant of the students of AC in Milan, with the aim of setting up a community presence of Christian students in the schools. The movement had a strong development under the episcopacy of Giovanni Battista Montini, then appointed Pope with the name of Paolo VI, who recognised in GS a possible answer to the secularization process gradually evolving in the Milanese area. This report focues on the evolution of don Giussani’s pedagogical thinking and educational approach. It also highlights the critical relationschip between GS and the national centre of AC from mid-Sixsties up to the definitive exit of GS from AC following the statutes of 1969.
authorBUSANI, MARTA
editorZARDIN, DANILO
DALL'ORGANIZZAZIONE AL MOVIMENTO. GIOVENTU' STUDENTESCA DAL SECONDO DOPOGUERRA ALLA CRISI DEL 1965
2015-03-20T01:00:47Z
La presente ricerca ricostruisce la storia di un movimento di ambiente dell’Azione Cattolica italiana, nato a Milano nel 1954 e chiamato Gioventù Studentesca. Il movimento prese vita da don Luigi Giussani, assistente degli studenti dell’AC milanese, con lo scopo di creare una presenza comunitaria di studenti cristiani nelle scuole. Il movimento ebbe un notevole sviluppo durante l’episcopato di Giovanni Battista Montini, futuro Paolo VI, che riconobbe in GS una possibile risposta al processo di secolarizzazione ormai evidente in terra ambrosiana. Questo lavoro ricostruisce gli sviluppi del pensiero pedagogico di don Giussani e i difficili rapporti tra Gioventù Studentesca e l’Azione Cattolica nazionale dalla metà degli anni Sessanta fino alla definitiva uscita di GS dall’AC dopo gli statuti del 1969.
Busani, Marta. "DALL'ORGANIZZAZIONE AL MOVIMENTO. GIOVENTU' STUDENTESCA DAL SECONDO DOPOGUERRA ALLA CRISI DEL 1965", Università Cattolica del Sacro Cuore, XXVI ciclo, a.a. 2013/14, Milano, [http://hdl.handle.net/10280/6151].
Adobe PDF
http://hdl.handle.net/10280/6151
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Previous issue date: 2015-03-19T00:01:00Z
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oai:tesionline.unicatt.it:10280/61522015-03-20T02:00:52Zhdl_10280_65hdl_10280_47
DocTA - Doctoral Theses Archive
advisorRIVA, ELENA
ITA
2015-03-19T00:01:00Z
2015-03-20T01:00:48Z
The present dissertation is focused on the rediscover and in-depth analysis of the biography and intellectual life of Richard Nikolaus Coudenhove-Kalergi, as a founder and promoter of one the most important European unity projects in the XXth century, "Paneuropa".
The research had, at first, the purpose to investigate how Italy adopted his message during the ’20s and ’30s, particularly analyzing some periodicals, magazines and newspapers most representative of those years.
Afterwards, it has been demonstrated not only if and how much Italian culture was attentive to European dynamics, but also the number and quality of friendly bonds that Coudenhove-Kalergi was able to establish during his life with many more or less well-known personalities of the Italian scenario.
authorRICETTI, MICHELE
editorZARDIN, DANILO
LA PANEUROPA DI RICHARD NIKOLAUS COUDENHOVE-KALERGI (1894 - 1972)
2015-03-20T01:00:48Z
La presente tesi ha come oggetto di ricerca la riscoperta e l’approfondimento della vicenda storica e intellettuale di Richard Nikolaus Coudenhove-Kalergi, in qualità di fondatore di uno dei progetti di unità europea più importanti del Novecento, la “Paneuropa”.
La ricerca ha avuto, come primo obiettivo, quello di sondare soprattutto le modalità con cui l’Italia recepì il suo messaggio durante gli anni Venti e Trenta, risultato ottenuto attraverso l’analisi di alcune tra le riviste e testate giornalistiche più rappresentative di quegli anni.
Il lavoro ha successivamente dimostrato non solo se e quanto la cultura italiana fosse attenta alle dinamiche europee, ma anche il numero e la qualità dei rapporti amicali che Coudenhove-Kalergi, durante la sua vita, fu in grado di intrecciare con numerose personalità note e meno note del panorama italiano.
Ricetti, Michele. "LA PANEUROPA DI RICHARD NIKOLAUS COUDENHOVE-KALERGI (1894 - 1972)", Università Cattolica del Sacro Cuore, XXVII ciclo, a.a. 2013/14, Milano, [http://hdl.handle.net/10280/6152].
Adobe PDF
http://hdl.handle.net/10280/6152
Submitted by MICHELE RICETTI (4010660) on 2015-01-21T15:23:39Z
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Previous issue date: 2015-03-19T00:01:00Z
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oai:tesionline.unicatt.it:10280/61532015-03-20T09:56:02Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorGHIRINGHELLI, ROBERTINO
ITA
2015-03-19T00:01:00Z
2015-03-20T01:00:49Z
The essay focuses the American period of Luigi Sturzo (1940-1946), which has not been sufficiently explored until now, expecially from the point of view of the American archives data. It has been highlighted a series of political and cultural activitie set up by Sturzo, and which can be contestualized in the sense of precise strategies, directed to the diffusion of the values Christian Democracy, in the international background; to the formation of the ruling classes; to the wide support to the constitution of the democratic system in Italy.
authorBORGO, GIANNI
editorZARDIN, DANILO
LO STURZO "AMERICANO" (1940 - 1946): STRATEGIE POLITICHE E CULTURALI
2015-03-20T01:00:49Z
L'indagine ha per oggetto il periodo americano di Luigi Sturzo (1940-1946), finora proco esplorato, soprattutto dal punto di vista delle fonti americane. E' stata messa in luce una serie di attività politiche e culturali, inquadrabili in precise strategie, volte alla diffusione dei valori della democrazia cristiana, a livello internazionale; alla formazione della classe politica; al più ampio sostegno alla patria lontana.
Borgo, Gianni. "LO STURZO "AMERICANO" (1940 - 1946): STRATEGIE POLITICHE E CULTURALI", Università Cattolica del Sacro Cuore, XXVII ciclo, a.a. 2013/14, Milano, [http://hdl.handle.net/10280/6153].
Adobe PDF
http://hdl.handle.net/10280/6153
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oai:tesionline.unicatt.it:10280/61492015-03-20T01:00:37Zhdl_10280_65hdl_10280_47
DocTA - Doctoral Theses Archive
advisorBARBIERI, EDOARDO ROBERTO
advisorZARDIN, DANILO
ITA
2015-03-19T00:01:00Z
2015-03-20T01:00:37Z
The research has investigated some aspects of the first three decades of the bolognese typography founded by Francesco Platone de 'Benedetti (1482-1496), focusing, in particular, on the production of the first heir, his nephew Giovanni Antonio (1499-1512), on their cultural catalogs and, finally, on the book trade in Bologna between Fifteenth and Sixteenth centuries. Three key points of the research: 1) the representation of the intellectuals (their life, their work) gravitated around the typography, with particular attention to the editors; 2) analysis of the sine notis editions still attributed to Francesco Benedetti, for a comparison of the catalogs of uncle and nephew, and to understand, as far as possible, the commercial logic Francesco was planning for his business; 3) an analysis of Francesco Benedetti's cultural project, based on his famous shop inventory, from which can be deduced: the custumers the typography aimed to, geographical and cultural coordinates of the book trade in Bologna at the turn of the XV century, the shape of the commercial network in which Francesco de 'Benedetti entered his business.
authorGATTI, ELENA
editorZARDIN, DANILO
FRANCESCO PLATONE DE' BENEDETTI E GIOVANNI ANTONIO DE' BENEDETTI (1482-1512), OVVERO LA TIPOGRAFIA BOLOGNESE A CAVALLO FRA XV E XVI SECOLO. CATALOGO CULTURALE E MERCATO LIBRARIO A CONFRONTO
2015-03-20T01:00:37Z
Il lavoro ha indagato alcuni aspetti del primo trentennio di vita dell'officina tipografica bolognese fondata da Francesco Platone de' Benedetti (1482-1496), focalizzandosi in particolare sulla produzione del primo erede, il nipote Giovanni Antonio (1499-1512), sui rispettivi cataloghi culturali e, infine, sul mercato librario bolognese a cavallo fra il XV e il XVI secolo. Tre i punti nodali della ricerca: 1) la rappresentazione del circuito intellettuale che gravitò attorno ai due de’ Benedetti, con particolare attenzione per i curatori editoriali; 2) l’accertamento delle edizioni sine notis ancora da attribuire in via definitiva a Francesco de’ Bendetti, per una comparazione credibile dei cataloghi di zio e nipote e per comprendere, fin dove possibile, le logiche commerciali che Francesco progettava per la sua azienda; 3) un’analisi del progetto culturale di Francesco de' Benedetti basandosi sul suo inventario di magazzino, da cui si evincono: il pubblico cui l’officina mirò, le coordinate (geografiche e culturali) del mercato del libro a Bologna sullo scorcio del secolo XV, i confini del network commerciale in cui Platone de’ Benedetti seppe inserire la sua impresa.
Gatti, Elena. "FRANCESCO PLATONE DE' BENEDETTI E GIOVANNI ANTONIO DE' BENEDETTI (1482-1512), OVVERO LA TIPOGRAFIA BOLOGNESE A CAVALLO FRA XV E XVI SECOLO. CATALOGO CULTURALE E MERCATO LIBRARIO A CONFRONTO", Università Cattolica del Sacro Cuore, XXVI ciclo, a.a. 2013/14, Milano, [http://hdl.handle.net/10280/6149].
Adobe PDF
http://hdl.handle.net/10280/6149
Submitted by ELENA GATTI (3910877) on 2014-11-30T17:12:17Z
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oai:tesionline.unicatt.it:10280/102902024-03-23T01:01:37Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorPACCAGNINI, ERMANNO
ITA
2016-02-25T00:01:00Z
2016-02-26T01:01:11Z
Our work aims at building a unitary, systematic tableau of the Italian narrative after Verga. We have focused on literary and language aspects <<because of the double feature of Verismo as an artistic writing where the research of theme and style influence each other in a tangled relationship>>. Tracing a real or presumed 'local color', we have examined over one hundred and fifty short stories ( 'In magna Sila' by Nicola Misasi; 'Novelle Napolitane' by Salvatore Di Giacomo; 'Dal vero' by Matilde Serao; 'Trecce nere' by Domenico Ciampoli; 'Terra vergine' by Gabriele D'Annunzio; 'In Provincia' by Mario Pratesi; 'Sotto gli alberi' by Emilio De Marchi; 'Le anime semplici. Storie umili' by Remigio Zena). The language has been studied based on norms and everyday usage of those times. The latter has been shaped through the works of scholars who have analyzed different aspects of the Italian language from the 19th century, in literature, journalism, and also in more colloquial, familiar letters. The section about literature preceding the portrait pictured above offers a comparative survey of the specific traits of Verga's Verismo according to the variations made, in the already mentioned collections of short stories, by the authors involved in this research.
authorBAITA, BRUNELLA
editorZARDIN, DANILO
COLOR LOCALE NELLA NARRATIVA REGIONALE ITALIANA DEL SECONDO OTTOCENTO
2016-02-26T01:01:11Z
Il presente lavoro si propone di iniziare a configurare un quadro unitario e sistematico della narrativa postverghiana sia sul piano letterario sia sul piano linguistico <<per la connotazione ambivalente del verismo come scrittura artistica in cui ricerca tematica e stilistica si condizionano in un rapporto inestricabile>>. Alla ricerca delle tracce di un vero o presunto “color locale” si sono scandagliate oltre centocinquanta novelle (Nicola Misasi, “In magna Sila”; Salvatore Di Giacomo, “Novelle Napolitane”; Matilde Serao, “Dal vero”; Domenico Ciampoli, “Trecce nere”; Gabriele D'Annunzio, “Terra vergine”; Mario Pratesi, “In Provincia”; Emilio De Marchi, “Sotto gli alberi”; Remigio Zena, “Le anime semplici. Storie umili”) la cui lingua è stata misurata sia rispetto agli strumenti normativi coevi sia rispetto all’uso corrente, ricostruito attraverso i lavori di studiosi che hanno focalizzato la loro attenzione su aspetti diversi dell’italiano del XIX secolo: dalla lingua letteraria a quella giornalistica passando attraverso l’ambito colloquiale/famigliare che emerge dallo studio degli epistolari. L'introduzione letteraria che precede il quadro appena descritto propone un'analisi comparativa dei tratti caratterizzanti il verismo verghiano secondo la declinazione che ne offrono, nelle varie raccolte prese in analisi, gli autori coinvolti in questo studio.
Baita, Brunella. "COLOR LOCALE NELLA NARRATIVA REGIONALE ITALIANA DEL SECONDO OTTOCENTO", Università Cattolica del Sacro Cuore, XXVII ciclo, a.a. 2014/15, Milano, [http://hdl.handle.net/10280/10290].
Adobe PDF
http://hdl.handle.net/10280/10290
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Previous issue date: 2016-02-25T00:01:00Z
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oai:tesionline.unicatt.it:10280/102912016-02-26T02:03:02Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorZARDIN, DANILO
advisorROVETTA, ALESSANDRO
ITA
2016-02-25T00:01:00Z
2016-02-26T01:01:44Z
This research focuses on the martyrs’ group depicted by Michelangelo Buonarroti in the Sistine Chapel’s Last Judgment. This group has an important role in the composition thanks to its new iconography in the Last Judgment subject and to its significance in the meaning of the fresco.
This thesis, reconsidering the papal patronage of pope Clement VII and Paul III, wants to underline martyrs’ role in Last Judgment iconography, comparing it with the previous figurative tradition and to relate the theme of martyrdom with the protagonists of this artistic commission into the wider context of sixteenth century Church.
authorALBERIO, ELENA
editorZARDIN, DANILO
IL GIUDIZIO UNIVERSALE DI MICHELANGELO TRA ICONOGRAFIA E COMMITTENZA PAPALE: IL GRUPPO DEI MARTIRI
2016-02-26T01:01:44Z
La presente ricerca si concentra sul gruppo dei santi martiri nell’affresco del Giudizio Universale dipinto da Michelangelo Buonarroti per la parete d’altare della Cappella Sistina. Il gruppo riveste un ruolo importante nella composizione sia per quanto concerne l’inedita iconografia e rilevanza nel contesto dell’Ultimo Giudizio sia per ciò che riguarda i significati dell’affresco. La presente indagine si propone attraverso una ricostruzione della committenza papale dell’opera, divisa tra Clemente VII e Paolo III, di contestualizzare la presenza dei martiri nell’iconografia del Giudizio ponendola a confronto con la tradizione figurativa precedente e relazionando, infine, il tema del martirio ai protagonisti di questa commissione, nel più ampio quadro della Chiesa del XVI secolo.
Alberio, Elena. "IL GIUDIZIO UNIVERSALE DI MICHELANGELO TRA ICONOGRAFIA E COMMITTENZA PAPALE: IL GRUPPO DEI MARTIRI", Università Cattolica del Sacro Cuore, XXVIII ciclo, a.a. 2014/15, Milano, [http://hdl.handle.net/10280/10291].
Adobe PDF
http://hdl.handle.net/10280/10291
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Previous issue date: 2016-02-25T00:01:00Z
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oai:tesionline.unicatt.it:10280/462472018-07-11T01:02:28Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorZARDIN, DANILO
ITA
2018-07-10T00:01:00Z
2018-07-11T00:01:31Z
This research provides the critical edition of over four hundred letters sent by the countess Margherita Trivulzio to her son, Cardinal Federico Borromeo, between 1586-1601. The study of this nucleus of letters allows one not only to shed new light on the figure of Borromeo, analysing his family relationships, but allows a particular focus on a personality, who has so far remained little known and yet worthy of being discovered: that of the noble Trivulzio. Starting from the study of the examined epistles, the following analysis aims to reconstruct the biographical profile, the religious background and the cultural importance of the countess – the latter being investigated as well in terms of linguistic analysis – while at the same time it offers a possible itinerary of reading the numerous letters addressed to the famous founder of the Ambrosian Library of Milan.
authorRUGGERI, MARIA RITA GIUSEPPINA
editorZARDIN, DANILO
'CON ALEGREZZA DE CUORE'. LETTERE DELLA CONTESSA MARGHERITA TRIVULZIO AL CARDINAL FEDERICO BORROMEO CONSERVATE PRESSO LA BIBLIOTECA AMBROSIANA DI MILANO
2018-07-11T00:01:31Z
La presente ricerca fornisce l’edizione critica delle oltre quattrocento epistole inviate dalla contessa Margherita Trivulzio al figlio, il cardinal Federico Borromeo, nel corso del quindicennio 1586-1601. Lo studio di tale nucleo di missive permette non solo di gettare nuova luce sulla figura del Borromeo, approfondendo la trama delle sue relazioni familiari, ma consente soprattutto la messa a fuoco di un personaggio finora rimasto in ombra eppure meritevole di essere scoperto, quello della nobile Trivulzio. A partire dallo studio del materiale epistolografico esaminato, la presente indagine si propone infatti di ricostruire il profilo biografico, il retroterra religioso e il livello culturale della contessa – quest’ultimo indagato anche sul piano dell’analisi linguistica – offrendo al tempo stesso anche un possibile itinerario di lettura delle numerose lettere destinate al celebre fondatore della Biblioteca Ambrosiana di Milano.
Ruggeri, Maria Rita Giuseppina. "'CON ALEGREZZA DE CUORE'. LETTERE DELLA CONTESSA MARGHERITA TRIVULZIO AL CARDINAL FEDERICO BORROMEO CONSERVATE PRESSO LA BIBLIOTECA AMBROSIANA DI MILANO", Università Cattolica del Sacro Cuore, XXVIII ciclo, a.a. 2016/17, Milano, [http://hdl.handle.net/10280/46247].
Adobe PDF
http://hdl.handle.net/10280/46247
Submitted by MARIA RITA GIUSEPPINA RUGGERI (4110570) on 2018-01-06T21:17:27Z
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Previous issue date: 2018-07-10T00:01:00Z
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oai:tesionline.unicatt.it:10280/462482018-07-11T01:02:39Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorVILLA, ANGELA IDA
advisorZARDIN, DANILO
ITA
2018-07-10T00:01:00Z
2018-07-11T00:01:35Z
This work aims to study the first literary production of Monaldo Leopardi (1176-1847), Giacomo Leopardi’s father, according to a cultural and historical point of view.
Initially, we rebuilt the relationship between Monaldo Leopardi and his family with the Society of Jesus (XVI-XVIII Century), pointing out the model of «Christian hero» he embodied during his jesuitical homeschooling.
Then, we analysed Monaldo Leopardi’s literary production (1800-1806) considering three different aspects: first of all, the connection with the Italian Accademie that we investigated thanks to archives resources, with a special focus on the Accademia dei Disuguali Placidi Ravvivati (1801-1803) he founded; afterwards, we studied his poetic and theatrical works referring to the volume "Opere del conte Monaldo Leopardi Gonfallonieri da Recanati" (1803). Finally, we decided to examine the development of this literary production with main Christian traits, by comparing father’s and son’s literature and by focussing on the journal “La Voce della Ragione” (1832-1835) and the letters between Monaldo and the jesuitical general Jan Philip Roothaan.
authorTRIACHINI, STEFANIA
editorZARDIN, DANILO
MONALDO LEOPARDI "CAVALIERE CRISTIANO". L'ESPERIENZA LETTERARIA GIOVANILE TRA CULTURA GESUITICA E ACCADEMIE RECANATESI
2018-07-11T00:01:35Z
Il presente lavoro si propone di studiare la produzione letteraria giovanile di Monaldo Leopardi (1776-1847), padre del celebre poeta Giacomo, contestualizzandola entro una cornice di carattere storico-culturale che possa restituirne le origini e gli sviluppi. Si è in primo luogo ricostruito il legame di Monaldo Leopardi e della sua famiglia con la Compagnia di Gesù (secc. XVI-XVIII), mettendo in luce il modello del «cavaliere cristiano» che il conte recanatese fu chiamato a impersonare negli anni della sua scuola domestica di stampo gesuitico. Si è quindi analizzata l'attività letteraria (1800-1806) di Monaldo Leopardi declinandola attraverso tre esperienze: quella delle Accademie, con particolare attenzione a quella da lui fondata, i Disuguali Placidi Ravvivati (1801-1803), di cui si è ripercorsa la storia attraverso fonti d'archivio; quella delle scritture poetiche; quella dei testi teatrali. Il volume di riferimento sono state le "Opere del conte Monaldo Leopardi Gonfallonieri da Recanati" (1803). Di questa produzione, cristianamente connotata, si sono inoltre indagati gli sviluppi, mettendo a confronto la "letteratura" di Monaldo Leopardi con quella del figlio Giacomo e focalizzando, infine, l'attenzione sulla rivista "La Voce della Ragione" (1832-1835) e sulla corrispondenza che, in tale ambito, il conte intrattenne con il generale dei gesuiti Jan Philip Roothaan.
Triachini, Stefania. "MONALDO LEOPARDI "CAVALIERE CRISTIANO". L'ESPERIENZA LETTERARIA GIOVANILE TRA CULTURA GESUITICA E ACCADEMIE RECANATESI", Università Cattolica del Sacro Cuore, XXVIII ciclo, a.a. 2016/17, Milano, [http://hdl.handle.net/10280/46248].
Adobe PDF
http://hdl.handle.net/10280/46248
Submitted by STEFANIA TRIACHINI (4110853) on 2018-02-18T09:43:12Z
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oai:tesionline.unicatt.it:10280/462492018-07-11T01:02:42Zhdl_10280_47hdl_10280_65
DocTA - Doctoral Theses Archive
advisorVILLA, ANGELA IDA
ITA
2018-07-10T00:01:00Z
2018-07-11T00:01:36Z
The aim of the present work is to provide a thorough analysis of the critical production of Pietrobono concerning Giovanni Pascoli with a particular emphasis on the influence that he exercised in building the literary and interpretative tradition on Pascoli’s poetic heritage. The research project is focused on the critical analysis of Pietrobono as a literary man, as an interpreter and close friend of Giovanni Pascoli. The analysis builds on the study of his activity in light of the comments to the opera Poesie of Pascoli made by the “Scolopio” father and of the common relations that clearly emerge from a critical assessment of their respective production. Particular attention has been devoted to the building of the florilegium and to the editorial choices and to the comment to the Pascoli’s anthology first published in 1918 and then re-edited several times. This works presents a detailed and careful analysis of the different editions and in particular of the different choices concerning the works included and of the changes in the comments.
A section of the present research work is focused on the epistolary correspondence between Luigi Pietrobono and Maria Pascoli that started in 1912 and continued up to 1950. From the letters it clearly emerges a close relationship and very productive literary-editorial interaction between the two writers that advise and support each other concerning their works on Pascoli’s production. These letters, preserved in the archive of the Casa Museo di Castelvecchio, have been transcribed and commented in the present research work.
authorTANTALO, LUCIA
editorZARDIN, DANILO
PADRE LUIGI PIETROBONO COMMENTATORE DELL'OPERA POETICA DI GIOVANNI PASCOLI. CON UN'APPENDICE DI LETTERE A MARIA PASCOLI
2018-07-11T00:01:36Z
Il presente lavoro si pone l'obiettivo di analizzare la produzione critica di ambito pascoliano del Pietrobono, con una particolare attenzione per l’influsso da lui esercitato nella costruzione della tradizione interpretativa e letteraria pascoliana. Il progetto di ricerca si è focalizzato sull’analisi di Pietrobono letterato, interprete e amico di Giovanni Pascoli, studiandone l’attività alla luce dei commenti alle Poesie di Pascoli approntate dal Padre scolopio, e alle relazioni comuni evidenziate dallo studio critico delle rispettive opere. Particolare rilievo si è posto alla ricostruzione della formazione del florilegio, alla curatela e al commento dell’antologia pascoliana pubblicata da Pietrobono nel 1918 e più volte rieditata: se ne sono analizzate le numerose edizioni e la variazioni apportate nella scelta di componimenti e nei commenti.
Una sezione del lavoro riporta e analizza la corrispondenza epistolare intrattenuta tra Luigi Pietrobono e Maria Pascoli a partire dal 1912 sino al 1950. Ne emerge un rapporto intenso e proficuo dal punto di vista letterario-editoriale, nel quale i protagonisti si supportano per i rispettivi lavori che vanno pubblicando sulle opere di Pascoli. Di queste missive, presenti nell’archivio della Casa Museo di Castelvecchio, si è proceduto alla trascrizione e commento.
Tantalo, Lucia. "PADRE LUIGI PIETROBONO COMMENTATORE DELL'OPERA POETICA DI GIOVANNI PASCOLI. CON UN'APPENDICE DI LETTERE A MARIA PASCOLI", Università Cattolica del Sacro Cuore, XXVIII ciclo, a.a. 2015/16, Milano, [http://hdl.handle.net/10280/46249].
Adobe PDF
http://hdl.handle.net/10280/46249
Submitted by LUCIA TANTALO (4110855) on 2018-06-18T21:06:39Z
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